Rejuve.nation
Candace's Film Blog
Wednesday, February 15, 2012
Wednesday, February 8, 2012
Tokyo in slow motion - Uses resources that I have to my disposal!
This is for my hometown, Japan caught in slow.
Music Credit: Flying Lotus ft. Thom Yorke- ...And the World Laughs With You
Shot on the Canon T3i and starter lenses.
Edited on Final Cut Pro and After Effects.
Thank you to everyone who viewed this video, it really means a lot to me.
Stay tuned for my sequel, "BERLIN ROUNDABOUT"
It will be a video mostly shot from different angles of a car, and I will- of course- combine the super slomo goodness of twixtor.
Follow me on twitter for updates on upcoming projects: http://twitter.com/#!/badassmusketeer
or at http://the045.tumblr.com/
e-mail: alexyoukilee@gmail.com
One Day On Earth - The Experiment
This is so cool! I love this idea...such an enormous idea!
www.onedayonearth.org
ONE DAY ON EARTH creates a picture of humanity by recording a 24-hour period throughout every country in the world. We explore a greater diversity of perspectives than ever seen before on screen. We follow characters and events that evolve throughout the day, interspersed with expansive global montages that explore the progression of life from birth, to death, to birth again. In the end, despite unprecedented challenges and tragedies throughout the world, we are reminded that every day we are alive there is hope and a choice to see a better future together.
Founded in 2008, ONE DAY ON EARTH set out to explore our planet’s identity and challenges in an attempt to answer the question: Who are we?
Please help us tell this story: 101010donate.org
Many thanks to the contributors of One Day on Earth, Vimeo, Ning, United Nations, and the 60+ non-profits for making this happen.
Director: Kyle Ruddick
Producer: Brandon Litman
Co-producer: Daniel Lichtblau
Production Supervisor: Gina Nemirofsky
Editors: Michael Martinez & Javier Alvarez
Trailer Editor: Michael Martinez
MUSIC BY:
Joseph Minadeo
and Beirut
Images and Stories in this trailer by:
350.org
Abdessamad Idrissi
Ada & Kris Chmielewski
Aditya Kolli
Adonis Pulatus
Alex M
Alexander
Alexandros Hadjicostas
Ali Azhari
Ben Klein
Black Pencil Project
Brandon Litman
Bronek Kaminski
Bryon Evans
Capi Baigorria
Chi Kong Lui
Chris Todd
Christian Ducken
Clifford W Klima
Daniel Chung
Daniel Lichtblau
David Ahrendts
David Aufdembrinke
Demeocq
Dimitri Ellerington
Dimitris Christopoulos
Enrico Trippa
Even Q
Fendi Shareef
Franz Walter
Gema Interiano
Gregory Hall
Hae Jung Hofman
Husam Al-Sayed
Itcho
James Travis III
Jay Galvan
John Miller
John Rinker
Jon Carr
Jonathan Sterkenburg
Juan Garcia
Juhani Väihkönen
Karl Hillcoat-Williams
Kieran Ball
Kreshnik Berisha
Kyle Ruddick
Luke Younge
Marcel van der Steen
Mark Eby
Michael Diiorio
Michael Martinez
Miklos Volner
Moaez Saeed
Mohammadreza Shams
Napali
NASA
Nita Deda
Olakunle Idowu
Ombajo Misava Edward
Paul Johannessen
Peter Beier
Philippe Kiener
Phil Klein
Ramda Yanurzha
Ray Paunovich
Renee van der Sluis
Richard Liston VIII
Rick Rashid
Ryan Green
Siraj Shahjahan
Steve Romano
Suporn Shoosongdej
Tamir Naber
Tato Carrillo
TEDxRainier
Tej Gyan Foundation
Tim Courson
Todd Brown
Torsten Lohrmann
UNDP Bahrain
UNDP Congo
UNDP Kenya
UNDP Kuwait
UNDP Nepal
United Nations Development Programme
Video Volunteers
Wes Davis
Yll Citaku
Zeenat Munir
Another Chapter In Augmented Reality
Do you realize what this means??? Augmented reality in film will open so many new doors for filmmakers and artists alike. Just let your mind wander through the possibilities as you watch this video!:
The Office
I love NBC's show "The Office" Who doesn't ?? It's dry comedy and quirky relatable humor draw in viewers of people all ages. This is even more exciting! The show is branching off! Here is an article I found on www.newsinfilm.com by Jeff Leins:
As if part of some elaborate prank hatched by Jim Halpert, NBC is developing a spin-off of “The Office” centered around perpetual Dunder-Mifflin assistant regional manager Dwight Schrute, played by Rainn Wilson on the U.S. version for eight seasons.
Deadline reports the network is preparing the concept for a mid-season 2013 launch and will tease the potential spinoff series in an episode later this season set on Schrute Farms. Dwight’s family beet farm/bed-and-breakfast has been a regular source of material for the comedy show, and the new series would focus on Dwight’s “agitourism” business. If picked up, Dwight’s Schrute Farms adventures would be a sort of family spinoff, not unlike NBC’s successful “Cheers” spinoff “Frasier.” Though, to me, it reminds me of the failed “Friends” spinoff “Joey,” another ill-advised continuation at NBC.
Dwight works as a weirdo supporting character, a punching bag for Jim’s wit and pranks or a lapdog for an unfit boss. But an entire series set on Schrute Farms would be too bizarre, an especially odd spin-off from a show that was originally intended to be relatable.
This is the second time the network has considered a spin-off of “The Office,” itself an Americanized remake of Ricky Gervais’ British original. Another Dunder-Mifflin office was planned in 2008, before the idea became the very funny “Parks and Recreation” instead. (Mose, Dwight’s Amish cousin, is played by “Parks and Recreation” creator Michael Shur, so there may be some changes on Schrute Farms if it becomes a permanent setting.)
Wilson and “Office” showrunner Paul Lieberstein (Toby on the show) pitched the Schrute spin-off to NBC executives who, of course, loved the idea of keeping their most-successful sitcom in years alive, partially at least. “The Office” has not been renewed for a ninth season, but if it continues to limp along, Dwight would leave Dunder-Mifflin mid-season, like Steve Carell’s Michael Scott character did in April 2011. The fourth-place network has been propping up “The Office” since Carell’s departure, even though the once-brilliant show is now a rusty relic of when their Thursday comedy block was unbeatable. Sinking ratings now match the fans’ sinking realization that the best days of “The Office” are long gone.
NBC is hopeful for a ninth season, but it would need to come up with some serious cash to lure back the cast. Ed Helms (Andy on the show) is negotiating for a $15 million payday forThe Hangover Part III and other movie deals, but does not have one for even more “Office” episodes. Neither does writer, co-executive producer and actress Mindy Kaling (Kelly), who is working on her own series and recently launched a popular comic memoir. Meanwhile, John Krasinski (Jim) wrote a movie with Matt Damon. Gus Van Sant will direct this summer.
Instead of throwing money at actors who don’t want to be there anymore, why not use that money to properly promote “Community,” one of the best shows on the flailing network?
Is This Real Life?!?!?
You need to read this for yourself..... I almost couldn't believe my eyes!!!! So Weird!
This is another article by Jeff Leins on www.newsinfilm.com
This is happening. Adam Sandler is set to produce, co-write, and star in Candy Land, Sony Pictures’ movie adaptation of the children’s board game.
“Saturday Night Live” contributor Robert Smigel will write the screenplay with Sandler, which is good news to the fan(s) of their last collaboration, You Don’t Mess with the Zohan (also at Sony).
The plan is to start the script from scratch, abandoning a previous version by Kung Fu Panda writers Jonathan Aibel and Glenn Berger, who likened their attempt to the “Lord of the Rings” in terms of fantastical size and scope.
Sandler’s involvement certainly ups the wackiness quotient though, and, with his Happy Madison production company having a say, we’re likely to see cameos from his old friends. Rob Schneider as a gingerbread person. Nick Swardson as Mr. Mint. Kevin James as the voice of Gloppy the Molasses Monster. No doubt a sexy actress incredibly out of his league as Princess Lolly. Or, if Jack and Jill is any indication (of where we are as a society), Sandler will play them all in his journey to the Gum Drop Mountains. Happy Madison has been producing projects starring all of these buddies, including the lazy ensemble comedyGrown Ups and an upcoming sequel I hope is titled Grown Ups 2: More Lawn Chairs.
Hasbro, the toy company behind blockbusters like Transformers and G.I. Joe: Rise of Cobra (based on their products), has been developing the concept for years. A deal made with Universal nearly three years ago called for four toy movies. This summer’s Battleshipwas to be the first of many — it stars Rihanna, so you know it must be good. But Universal is wisely ending that agreement and has been systematically dumping Hasbro properties to any takers, including Candy Land to Sony. Kevin Lima (Enchanted) will still direct.
Earlier this week, Universal also purged their Stretch Armstrong movie, which was supposed to star Taylor Lautner and be directed by Rob Letterman (Gulliver’s Travels). Both are out as the project restarts at Relativity Media for a April 11, 2014 release. Which untalented, good-looking actor will sell out next? (I mean, if Channing Tatum isn’t available.)
In August, Universal also dropped a remake of Clue (with Pirates trilogy director Gore Verbinski attached) and an adaptation of Monopoly (with Ridley Scott attached to direct).Later the same month, McG’s Ouija board adventure was scrapped. A Magic: The Gatheringfilm never had much traction and was also cancelled.
Sadly, Sandler is one of the most consistent box office draws in the business. His goofy efforts regularly crack the $100 million mark domestically, and his only “flops” in the past decade came when he strayed from his fun-loving, formula (namely Spanglish, Reign Over Me). Even his bottom, the cross-dressing “comedy” Jack and Jill earned $73.4 million here, nearly recouping its investment. Adam Sandler in drag has made more money than the presumptive “Best Picture” winner. This is the world we live in. If only it were made of candy.
Smash!
So I watched the first airing of the new show Smash on NBC last week. I loved it! As a person who doesn't follow glee or even like glee, this show rocks! It has an old school charm, mixed with the entertainment industry of today in 2012. The show is about two friends who write musicals that come up with the ingenious idea to create a musical based on Marilyn Monroe thanks to the help of an assistant. The show that they are writing includes scenes from all of the old Monroe films so of coarse I am attracted to it, I love the rawness and honesty that she delivered to America while she was still alive and acting. Her story alone has had me intrigued since I was in middle school. The show is getting great reviews and I will continue to follow it...even if my boyfriend does leave the room when I turn it on! :)
Here is an excerpt from an article written by Jeff Leins:
Here is an excerpt from an article written by Jeff Leins:
"It's Like Glee, With Talent!!"
111.3 million people watched Super Bowl XLVI yesterday, a new U.S. record for the most-watched television program. Which means most of you saw how NBC shamelessly seized every opportunity to plug the season premiere of “The Voice.” So you probably saw the countless commercials for the debut of “Smash,” today on the newly prestigious “Super Monday” after. Whatever that means. “Hangover Day” may have been more appropriate. Believe it or not, a fraction of those people were not annoyed by “Smash” ads being smashed into their eyes during a precious sports event. This review is for them. Forget “Glee.” FOX managed to repackage “American Idol” as a teen dramedy for a few seasons, and sap a franchise worth of movies, tours, holiday CDs, and more from it by stirring up controversy, counting down the top 40, and hosting celebrity burn-outs. (Ricky Martin, really?) But that dream is dying, especially once adults get a look at NBC’s “Smash,” where more-talented characters are passionate about a little more than sectionals. If the pilot is any indication, “Smash” is to “Glee” what NBC’s “The West Wing” is to “Saved by the Bell.” But enough about that show, lest I awaken Ryan Murphy. “Smash” centers on the creation of a Broadway musical, from inception to production, and each aspect of this “terrible business” is represented, from writing to directing to starring. First and foremost, “Smash” wants to be A Star is Born for the modern era. “Stars aren’t born, they’re made.” Says it right there on all those promotional posters. It achieves that goal, for what it’s worth, featuring one bright-eyed young singer in particular. One “made” mildly famous by somehow becoming only the runner-up on “American Idol” in 2006. Katharine McPhee, who is apparently stunning visually and vocally, for the uninitiated. Wow. She’s also a surprisingly strong actor and dancer (which I somehow missed in Shark Night 3D), and capable of playing both vulnerable and sexy as new voice Karen Cartwright. She sells the backstage jitters and a rivalry with a blonde bombshell named Ivy Lynn (Broadway actress Megan Hilty), even though they share the same dream their parents don’t believe in. Debra Messing and Christian Borle work well together as Julia and Tom, a veteran writing team that exchanges snappy banter a little like Messing’s “Will and Grace.” Julia is a stand-in for creator and Pulitzer-nominated playwright Theresa Rebeck, which explains why the series follows the drama to Julia’s home life with her frustrated husband and teen son. In the midst of a brainstorming frenzy, Julia and Tom yearn for something new. It seems Broadway faces the same rehashes and remakes as Hollywood. But, despite the yearning, the session ironically begets the bright idea to do another saintly portrayal of the beautiful, broken Marilyn Monroe. The characters, and by extension Rebeck, acknowledge there’s a Monroe movie (Oscar-nominated now), a statue, even an iPad app, but they are dually lured by the promise of “a baseball number” that, admittedly, looks impressive in rehearsal.
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